January 19, 2026January 19, 2026 The Flora Journal

Rediscovering Carl Schuch: a european painter in dialogue with France

January 12, 2026 The Flora Journal

The artist’s garden as refuge: Max Liebermann and Impressionism in Germany

January 8, 2026January 8, 2026 The Flora Journal

‘Cactus’ at the NMMN in Monaco: an exhibition and its catalogue, from living plant to cultural icon

December 8, 2025 The Flora Journal

Blossoms, memory, and modernity at Forest Lawn Museum

November 24, 2025March 1, 2026 The Flora Journal

‘A Crown of Delights’: the artistic legacy of Rome’s villas and gardens

November 22, 2025November 22, 2025 The Flora Journal

‘Real, Surreal, Photoreal’: art and landscape converge at the Nassau County Museum of Art

November 17, 2025November 17, 2025 The Flora Journal

‘Designing with nature’: inside V&A Dundee’s immersive garden exhibition

October 18, 2025 The Flora Journal

Flowers in Time: from De Passe’s engravings to Tabasso’s glass sculptures at the Draiflessen collection

September 15, 2025September 15, 2025 The Flora Journal

‘Building Biospheres’: Belgium’s Living Pavilion at the Venice Biennale 2025 in Italy

September 12, 2025September 12, 2025 The Flora Journal

From hollyhocks to sunflowers: Françoise Pétrovitch ‘Soleil’ dialogues with Berthe Morisot at the Musée Marmottan Monet